“Amazing Grace” is arguably the best-known and most-sung hymn in
America—maybe the world. It has deep meaning for millions, across all
races and backgrounds, and has long united and comforted our nation in
times of sorrow. On any given Sunday, there are thousands of
congregations singing it, even 236 years after it was published. But
lately, it's made something of a comeback—if that's even possible for
such an immortal song.
The strains of “Amazing Grace” took on a voice few Americans were expecting
late last month when President Obama visited Charleston, South
Carolina, to honor the nine victims of the Emanuel AME Church shooting.
After delivering a moving eulogy, Obama did something few
presidents have ever done: He broke into that timeless first verse, sung with the traditional, lilting style of black gospel choirs. As he sang, a tearful crowd of clergy, parishioners, and members of the community sang along with him.
presidents have ever done: He broke into that timeless first verse, sung with the traditional, lilting style of black gospel choirs. As he sang, a tearful crowd of clergy, parishioners, and members of the community sang along with him.
Now, I've certainly had my disagreements with this president, but what
he did in Charleston was profoundly appropriate and moving. In fact, I
did it with him at the end of the 2012 National Prayer Breakfast. And
I've got to tell you, it is hard not to tear up watching it—especially
in light of the supernatural forgiveness members of Emanuel AME Church
showed Dylann Roof, the shooter who killed their friends and family just
a few weeks ago.
Whether that young man received it or not, he was offered amazing
grace. And I can't think of a more fitting tribute to the lives lost or
to the God who saves wretches, than that hymn.
But Obama's wasn't the only performance of “Amazing Grace” this summer. Former secretary of state Condoleezza Rice displayed some of her own talent last week,
playing the hymn on the piano alongside violinist Jenny Oaks. The
beautiful video, which I hope you'll watch, was released over the 4th of
July, and features black-and-white footage of American service members
during World War II, the Korean War, and Vietnam. “Condi” and Oaks
played marvelously, but I have to say, it was once again “Amazing Grace”
itself that stole the show.
And it isn't just political figures revisiting this timeless hymn. As I told you back in October, the story of its author is now a musical,
and it's easily one of the best productions of my lifetime. Through
outstanding performances, it tells the story behind the immortal
words—the life, the sins, and the conversion of a wretch named John
Newton, the 18th-century British slave captain whom God transformed into
a minister and abolitionist.
And as someone who wrote a biography of Newton's spiritual son, William
Wilberforce, I found myself moved beyond words at this depiction of
Christ's power to turn even the darkest life around—and use it to change
the world. It's nothing less than a presentation of the Gospel in
action—and on Broadway, no less!
Now what strikes me about this sudden and unexpected revival of
“Amazing Grace” and the story behind it is just how appropriate it is in
America today. Look, I understand we Christians try to be positive, but
there's a lot of discouraging stuff going on in America right now. If
ever a nation was lost and in need of finding, or blind and in need of
sight, it's ours in 2015.
The reason I'm overjoyed to see “Amazing Grace” getting so much
attention and uniting so many in moments of sorrow—the reason I'm
thrilled that the story behind the hymn is on stage in America's biggest
theaters—is that we need God's grace just as much as John Newton did.
And as Newton himself would no doubt remind us, it's the story of the
One Who offers us that grace that deserves to be sung again and again.
BreakPoint
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